Quotes
- Marlon Brando:
If an actor can't improvise, perhaps the producer's wife cast him in that part. [1979. Interview-playboy] - Jodie Foster:
When you know your text, that's when you can improvise.
[Photoplay, October 1984] - Don Taylor:
Spencer Tracy would improvise with you to help a dull scene- and steal some of your action. Lee Marvin walked on the Bad Day At Black Rock set with a toothpick in his mouth. Tracy said: 'I wouldn't use that.' 'Why not?' asked Marvin. 'Because I'm going to!'.
[Films Illustrated, January 1979]
Advice for improvisation
- Don't judge yourself on stage wile improvising.
- Focus on now and what is going on in this scene.
- Listen to you partner and react with true emotions
- Don't try to make jokes. Your improvisation will raise laughter naturally if you connect with your partner.
Definitions
Improvisation is a common tool for many actors. According to Constantin Stanislavski, an actor improvising a scene must be trusting his own instincts and an actor must use his own instincts to define a character's response to internal and external stimuli.
Improvisation provides a platform to explore performance and the narrative form and to develop important life skills (creativity, spontaneity, teamwork, listening, perception, trust, generosity and openness). Through improvising, an actor can learn to trust his instincts instead of using mugging and indicating to broadcast his motives. Improv is also useful in its focus on concentration. Obviously, in an environment in which anything is allowed to happen, the actors must be capable of keeping their concentration throughout, even in difficult and stressful circumstances. Concentration is a staple of acting classes and workshops; it is vital that an actor be capable of concentrating on the scene or action at hand. Actors who fail to keep up with an improvisation are said to be blocking. Most of all, improvisation is fun for everyone involved.
Improvisational Theatre (also known as improv or impro) is a form of theatre in which the actors perform spontaneously, without a script. Modern improvisation began in the classroom with the theatre games of Viola Spolin and Keith Johnstone's Theatresports in New Zealand in the 1950s, then evolved quickly to become an independent art form worthy of presentation before a paying audience.
In all forms of improvisation, the actors invent/discover the dialogue and action as they perform. The unpredictable nature of such a performance lends itself naturally to comedy, which might go somewhat towards explaining why the overwhelming majority of improvisational theatre is comedic, not dramatic. Dramatic improv is used by many companies and artists as a means of generating text and content for later performance. This is sometimes referred to as "organic" theatre, and is especially favored by creators of political theatre, experimental theatre, and practitioners of drama therapy. Improvisation is often found used in actor training as well. Modern improvisational comedy, as it is practiced in the West, falls generally into two categories: shortform and longform.
Improvisation provides a platform to explore performance and the narrative form and to develop important life skills (creativity, spontaneity, teamwork, listening, perception, trust, generosity and openness). Through improvising, an actor can learn to trust his instincts instead of using mugging and indicating to broadcast his motives. Improv is also useful in its focus on concentration. Obviously, in an environment in which anything is allowed to happen, the actors must be capable of keeping their concentration throughout, even in difficult and stressful circumstances. Concentration is a staple of acting classes and workshops; it is vital that an actor be capable of concentrating on the scene or action at hand. Actors who fail to keep up with an improvisation are said to be blocking. Most of all, improvisation is fun for everyone involved.
Improvisational Theatre (also known as improv or impro) is a form of theatre in which the actors perform spontaneously, without a script. Modern improvisation began in the classroom with the theatre games of Viola Spolin and Keith Johnstone's Theatresports in New Zealand in the 1950s, then evolved quickly to become an independent art form worthy of presentation before a paying audience.
In all forms of improvisation, the actors invent/discover the dialogue and action as they perform. The unpredictable nature of such a performance lends itself naturally to comedy, which might go somewhat towards explaining why the overwhelming majority of improvisational theatre is comedic, not dramatic. Dramatic improv is used by many companies and artists as a means of generating text and content for later performance. This is sometimes referred to as "organic" theatre, and is especially favored by creators of political theatre, experimental theatre, and practitioners of drama therapy. Improvisation is often found used in actor training as well. Modern improvisational comedy, as it is practiced in the West, falls generally into two categories: shortform and longform.
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